WALTER LANTZ WIKI SERIES WAS BEGINNING
WALTER LANTZ WIKI MOVIE MOGUL CARL

He is most famous for characters like Andy Panda (1939), Chilly Willy (1953) and, of course, Woody Woodpecker (1940). This comprehensive website, online since 2002, serves as an encyclopedia of every single cartoon produced by Lantz and his talented staff.Woody Woodpecker and other Walter Lantz's cartoonsWalter Lantz was an American animation director and producer, one of the major figures during the Golden Age of Animation (1930-1960). Walter Lantz passed away in 1994 but the cartoons he produced and directed still seem as fresh and funny today as they did when they were first released. Daily as the voice of Chilly Willy / Bill Fagerbakke as the voice of Maxie / Tom Kenny as the voice of Gooney / Kath Soucie as. Chilly Willy in Pittsburgh (animated film starring E.G. Walter Lantz Animation Studios is an American animation studio own by Walter Lantz Productions, Universal Animation Studios and Universal Studios, now part of the media conglomerate NBCUniversal, owned by Comcast.

Walter Lantz Wiki Movie Mogul Carl

Lantz managed to gain the copyright for his characters. Bray Studios with considerable experience in all elements of animation production, was selected to run the department.In 1935, the studio was severed from Universal and became Walter Lantz Studio under Lantz's direct control, and in 1939, renamed to Walter Lantz Productions. Walter Lantz, who was Laemmle's part-time chauffeur and a veteran of the John R. Nowadays the company exists in name only as a subsidiary of Universal Animation Studios, handling the rights to the studio's characters and films.The studio was formed originally as Universal Cartoon Studios on the initiative of Universal movie mogul Carl Laemmle, who was tired of the continuous company politics he was dealing with concerning contracting cartoons to outside animation studios. It was in operation from 1928 to 1972, and was the principal supplier of animation for Universal Studios, now part of the media conglomerate NBCUniversal, owned by Comcast. This list may not reflect recent changes ().Walter Lantz Productions was an American animation studio.

1.2 1935-1940: The decline of Oswald and arrival of new characters 1.1 1928-1935: The opening years of Universal Cartoon Studios After Amblimation went defunct, Universal Animation Studios carried out the legacy of both companies. The music-oriented Swing Symphony cartoons were another successful staple, but ended after swing music's popularity faded after the end of World War II.The company was succeeded by Universal Animation Studios and Amblimation until 1997 when it was closed.

3 Walter Lantz Productions Staff: 1928-1972History 1928-1935: The opening years of Universal Cartoon Studios Lantz began his career at the art department of William Randolph Hearst's New York American during the 1910s, having his start in the cartoon industry at Hearst's International Film Service, which in 1918 transferred its entire staff to Bray Productions. 1.5 1950вЂ“1967: Revival and Venture to Television 1.4 1947вЂ“1950: United Artists and First Closedown

Walter Lantz Wiki Series Was Beginning

However, the popularity of the series was beginning to decline because of the lower quality of the output. The chauffeur job also landed Lantz at the Winkler Studio, which produced cartoons for Universal.In early 1929, Universal was distributing the Oswald the Lucky Rabbit cartoons by Charles Mintz and George Winkler (created by Walt Disney). Bray Productions closed shop in 1928, and Lantz moved to Hollywood, trying to start his own studio while trying to make a living in a succession of odd jobs, including driving Universal owner Carl Laemmle's limousine.

The conversion of Oswald cartoons into musicals was a different matter. Additions to the staff included Pinto Colvig and Fred Avery.The earliest Lantz cartoons from 1928 were built around set plots and stories, in the tradition of the earlier Disney and Winkler Productions shorts. Bert Fiske scored the first cartoons, having done this for the few Winkler sound 'Oswalds'. The first animators for the studio included Winkler veterans Rollin Hamilton, Tom Palmer and 'rubber-hose' pioneer Bill Nolan. The first Lantz-produced 'Oswald' cartoon was Race Riot, released on September 1, 1929. Lantz won the studio in a poker bet with Laemmle.

Lantz's musical directors changed as well. It could and did change drastically to fit a particular gag. Unfortunately, in the process, Oswald's personality became less consistent.

Another way out of the hole was to gain attention by creating a secondary series of shorts featuring a new star, Pooch the Pup. Lantz and Nolan worked in a character called 'Fanny the Mule' for a 13-cartoon series announced by Laemmle in early 1930, these cartoons however were never produced.In 1931, Lantz faced economic difficulties and was forced to make cutbacks, shortening the lengths of his films and post-synchronizing a handful of the early Disney Oswalds. He remained as the permanent studio musical director until 1937.

John Cheever Cowdin became Universal's new president. The following year, Nolan left the studio and the Cartune Classics series of Technicolor shorts began, lasting for a year.1935-1940: The decline of Oswald and arrival of new characters Control of Universal by founder Carl Laemmle and his family was slipping away because of financial difficulties, and came to end in 1936. However, Pooch never became very popular and the series was dropped in 1933. Lantz would direct the Pooch cartoons, while Nolan would work on the Oswalds, with both series referencing the dire straits of the Depression.

Bug Goes to Town failed at the box office, Aladdin never made it to actual production. Calker's arrangements became noted for their distinctive swing flavor.After Disney's success with Snow White and the Seven Dwarfs, the Lantz studio planned to make its own feature, Aladdin and His Lamp, featuring the ascendant comedy duo of Abbott and Costello, but after Mr. The series ended in 1945 at the twilight of the big band era.After the studio's 1930s cartoons were scored by a succession of composers, including James Dietrich, Victor Records producer Nat Shilkret and Harman-Ising veteran Frank Marsales, Darrell Calker took over in late 1940. The success of Scrub Me Mama With A Boogie Beat and Boogie-Woogie Bugle Boy (the former becoming subject to controversy and even protest in later years over racial stereotypes) also led to the introduction of the Swing Symphony series that fall, often featuring popular musicians of the time. 1940 also marked the debut of Lantz's biggest star: Woody Woodpecker, who debuted in the Andy Panda cartoon Knock Knock.1940вЂ“1947: Swingin' Symphonies and a 'Guess Who' Woody quickly became extremely popular, being given his own series in early 1941, and became one of the most famous examples of the 'brash bird' cartoon characters of the late 1930s/early 1940s such as Daffy Duck. By autumn 1940, Lantz's studio was back in business again.

Lantz refused and withdrew from the parent company by the end of 1947, releasing 12 cartoons independently through United Artists during 1947 and early 1949.The cartoons from this period stand out for its slicker animation compared to the previous Universal releases, mostly because of the influence of director and Disney veteran Dick Lundy, as well as the addition of Disney veterans, such as Ed Love. The new management insisted on getting licensing and merchandising rights to Lantz's characters. But the deal was interrupted when new ownership transformed the company into Universal-International and did away with most of Universal's company policies.

Unfortunately, UA attributed a very small portion of the dollar amounts to Lantz's shorts from the features.